Along my favorite hiking trails, I look forward to seeing particular trees. I’m drawn to their shapes, the curvature of their limbs, the shade they offer, or the feeling they invoke. Over time, I feel like I know them, and that they know me. I’ve had my eye on this particular bend in the trail. I like the way the tree leans over, toward the bridge and the rock, greeting those that pass. Just as people are unique in their character, so are trees. As I painted this tree’s portrait, I felt like I was painting an ‘Old Friend’.
en plein air
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Autumn brings splendor to the mountains of Colorado. The mount mahogany shifts to deep purple, the cottonwoods burst forth in gold and orange. The grasses pulse in waves of color. Set against the red sandstone hogback, fall creates a bouquet of color.
There are places we return to paint again and again. This is one of those places. Away from the hustle and bustle of town, tucked behind the hogbacks, Bobcat Ridge is quiet and serene. Fall lingers here, holding onto color until this snow flies. Tucked into a curve of the road, the sun warms the earth and the leaves glow. The beauty of fall stands in proud glory.
10×8, oil on canvas
The Courtyard Archival Print
For over 2500 years, the Etruscans have inhabited the hilltop town of Bagnoreggio. Once a haven from marauders, the residents now fight against time and nature. The volcanic tuff upon which the village was built tumbles down the hillside and disappears on the wind. Year after year, they rebuild and repair. And, the flowers continue to bloom. Someday, they too will disappear.
This Limited Edition Archival Giclée is printed on smooth 100% acid free cotton rag, natural white, heavyweight fine art paper. As an archival, museum quality paper, this print has a light fastness rating of 100+ years under normal indoor lighting conditions.
The print is shipped in a protective clear envelope with acid-free foam core, ready to present as a gift or frame.
Each print is numbered and signed by the artist.
Civita di Bagnoreggio, Italy
Size: 7 1/8×10 with a half inch white border
Limited to 250 prints.
original painting, egg tempera, 7 1/8×10
Nothing to Wear
This painting was the final project for a semester of figure drawing. The painting was based on the theme, “the human figure as an expression of inner psychology”.
The idea for the painting stemmed from thinking about how children embody characters through costume and the evolution of this over time. As children they want to be batman, spiderman, a cowboy or a princess. They take on the costume as who they are. However, as we grow and become adults, we often take on masks/costumes to go about our daily activities, whether we want to embody them or not.
This concept was then coupled with a woman trying on clothes from her closet and finding ‘nothing to wear’ from the multiple outfits available to her. Here, she is dressed in a simple black dress and holds a mask to her face. Is she preparing for a night out? A day at work? What do we assume about her from the mask? How do we read her eyes shining through? Who is she behind the mask?
Pastel on Canson Paper, 21×18.5
Peach Study in Pastel
I’ve been looking forward to summer and doing a peach study in pastel for a larger painting. Each year, Morton’s Organic Orchards sets up their fruit stand at the nearby farmer’s market. They begin with cherries that are so deep and dark in color, flavor and sugar that I feel ‘drunk’ after just a few morsels.
Following on the heels of the cherries, the peaches arrive. Clingstone peaches appear first – small and sweet. Then, giant freestone peaches arrive by the truckload, covered in peach fuzz. They line up, ready to be turned into pies and jams and in my case, ice cream and smoothies.
These little orbs of sweetness are surprisingly solid. I wanted the viewer to feel as though they could be picked up and held, as well as eaten.
pastel, still life, 5×5